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A young man is caught between sexual fever and religious ferver in this hilarious, provocative novel by the acclaimed author of The Buddha of Suburbia. "Hanif Kureishi's book . . . crackles with identity politics, conflict, an d humor. . . . Kureishi handles it all with grace, wit, and generosity".--Dan Levy, San Francisco Chronicle Book Review.
Now available together for the first time, two of the best works—a novel and a short story—from Ooscar-nominated screenwriter Hanif Kureishi, one of the most original, celebrated, and prophetic voices in British fiction and film. First capturing the attention of audiences and critics in the 1980s with award-winning works such as The Buddha of Suburbia, and My Beautiful Laundrette, and recently described by The New York Times Magazine as “a kind of postcolonial Philip Roth,” Hanif Kureishi remains one of the most compelling artists of our time. These stunningly prescient earlier works of Kureishi’s are more timely and relevant than ever, and they’re now reissued in one volume. The Black Album, Kureishi’s second novel, is an exhilarating multicultural coming-of-age tale featuring Shalid, a sex, drugs, and rock ’n’ roll-loving Pakistani student torn between a love affair with a gorgeous free-spirited college professor and his desire to please his conservative Muslim community. In the story “My Son the Fanatic,” which is also an award-winning film, Kureishi reveals the shifting values between a father and son—two generations of immigrants struggling between assimilation and separatist fundamentalism. Praised as an author who “fully entertains while addressing wickedly complex social issues” (San Francisco Chronicle), Kureishi infuses these deft and vivid stories with his love of non-conformity and his understanding of the ties that bind us to family and culture.
As they embark upon the fourth decade of the career, Metallica's legacy is as unique as it is remarkable: having sold over 100 million albums their status as the biggest Metal band of all time is indisputable. Following the acclaimed first volume, which chronicled the band's rise to international stardom, the authors now explore the challenges and tensions that ensued for the band. From the phenomenal, breakthrough, success of 1991's 'Black' album to the band's reinvention with the 'Load/Reload' albums; bassist Jason Newsted's shock exit in 2001 and the group's subsequent meltdown, as laid bare in the unvarnished fly-on-the-wall documentary Some Kind Of Monster, to the divisive 'St. Anger' and 'Lulu' sets (recorded with Rick Rubin and in collaboration with Lou Reed respectively), they brilliantly capture this unique bands epic, louder than life saga.
Diverse and often competing notions of "Englishness" have been critiqued by a variety of writers and critics who have become concerned about received visions of "Englishness" in the post-war period. An exciting and provocative collection of essays which registers the changes to Englishness since the 1950s, this book explores how Englishness has been revised for a variety of aesthetic and political purposes and makes a ground-breaking contribution to the contemporary debates in literary and cultural studies.
Ranging from analyses of contemporary culture, postcolonial writing, political rhetoric and postimperial memory after 9/11, this collection demonstrates that far from being parochial and self-involved, the question of Englishness offers an important avenue for thinking about the politics of national identity.
This comprehensive critical study of Hanif Kureishi details the writer's career to date. Kureishi has explored a number of key social and cultural issues of recent years, including the legacies of colonialism, the paradoxes of multi-culturalism, changing conceptions of class, gender and sexuality, globalization, and relations between popular culture and the canon. Bart Moore-Gilbert's authoritative text places Kureishi's writing in its historical, social, cultural, and critical contexts, and provides detailed readings of his major works.
In 1991, Metallica released their fifth studio album that would become known and beloved around the world as “The Black Album.” Since its release, it has sold 30 million copies, and become a towering monument in the pantheon of rock's greatest records. Readers will get unprecedented insight into the story behind an iconic album from one of the world's most iconic bands through interviews with James Hetfield, Lars Ulrich, Kirk Hammett, Jason Newsted, and “Black Album” producer Bob Rock. Masciotra takes readers into the recording studio, giving them Metallica's account of how their most successful and famous record was born and learned to walk into every radio station and stadium stage around the world. Masciotra not only talks to the band about the making of the album, but also the stories that inspired the songs. Readers will not only learn about “The Black Album,” but they will also gain greater knowledge and familiarity with the men who created it. With direct access to the band, Masciotra offers a fascinating and inspiring account of the creation of one of music's best and best-selling albums.
Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries.Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film.Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van C& Zapiro.
A much-needed introduction to the field of contemporary fiction studies. Introduces key areas of debate and offers in-depth discussions of the most significant texts. An ideal guide for those studying contemporary fiction for the first time.
The Beatles, the 1968 double LP more commonly known as the White Album, has always been viewed as an oddity in the group’s oeuvre. Many have found it to be inconsistent, sprawling, and self-indulgent. The Beatles through a Glass Onion is the first-ever scholarly volume to explore this seminal recording at length, bringing together contributions by some of the most eminent scholars of rock music writing today. It marks a reconsideration of this iconic but under-appreciated recording and reaffirms the White Album’s significance in the Beatles’ career and in rock history. This volume treats the White Album as a whole, with essays scrutinizing it from a wide range of perspectives. These essays place the album within the social and political context of a turbulent historical moment; locate it within the Beatles’ lives and careers, taking into consideration the complex personal forces at play during the recording sessions; investigate the musical as well as pharmaceutical influences on the record; reveal how it reflects new developments in the Beatles’ songwriting and arranging; revisit the question of its alleged disunity; and finally, track its legacy and the breadth of its influence on later rock, pop, and hip-hop artists. The Beatles through a Glass Onion features the scholarship of Adam Bradley, Vincent Benitez, Lori Burns, John Covach, Walter Everett, Michael Frontani, Steve Hamelman, Ian Inglis, John Kimsey, Mark Osteen, Russell Reising, Stephen Valdez, Anthony D. Villa, Kenneth Womack, and Alyssa Woods. John Covach’s Afterword summarizes the White Album’s lasting impact and value. The Beatles through a Glass Onion represents a landmark work of rock music scholarship. It will prove to be an essential and enduring contribution to the field.