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Here is a classic collection from one of America’s greatest authors. Though these short stories have universal appeal, they are intensely local in setting. With the exception of “Turn About,” which derives from the time of the First World War, all these tales unfold in a small town in Mississippi, William Faulkner’s birthplace and lifelong home. Some stories—such as “A Rose for Emily,” “The Hound,” and “That Evening Sun”—are famous, displaying an uncanny blend of the homely and the horrifying. But others, though less well known, are equally colorful and characteristic. The gently nostalgic “Delta Autumn” provides a striking contrast to “Dry September” and “Barn Burning,” which are intensely dramatic. As the editor, Saxe Commins, states in his illuminating Foreword: “These eight stories reflect the deep love and loathing, the tenderness and contempt, the identification and repudiation William Faulkner has felt for the traditions and the way of life of his own portion of the world.”
The short tale A Rose for Emily was first published on April 30, 1930, by American author William Faulkner. This narrative is set in Faulkner's fictional city of Jefferson, Mississippi, in his fictional county of Yoknapatawpha County. It was the first time Faulkner's short tale had been published in a national magazine. Emily Grierson, an eccentric spinster, is the subject of A Rose for Emily. The peculiar circumstances of Emily's existence are described by a nameless narrator, as are her strange interactions with her father and her lover, Yankee road worker Homer Barron.
Miss Emily Grierson is a newly departed spinster who led a mysterious life in relative isolation. Although regarded as a touch eccentric, it is only after her death, when a decidedly shocking discovery is found in her house, that the people of Jefferson, Yoknapatawapha County realize just how strange Emily’s truly life was. Although primarily known for his novels, William Faulkner wrote in a variety of formats, including plays, poetry, essays, screenplays, and short stories, many of which are highly acclaimed and anthologized. Like his novels, many of Faulkner’s short stories are set in fictional Yoknapatawapha County, a setting inspired by Lafayette County, where Faulkner spent most of his life. His first short story collection, These 13 (1931), includes many of his most frequently anthologized stories, including "A Rose for Emily", "Red Leaves" and "That Evening Sun." HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.
Quentin Compson narrates the story of his family’s African-American washerwoman, Nancy, who fears that her husband will murder her because she is pregnant with a white-man’s child. The events in the story are witnessed by a young Quentin and his two siblings, Caddy and Jason, who do not fully understand the adult world of race and class conflict that they are privy to. Although primarily known for his novels, William Faulkner wrote in a variety of formats, including plays, poetry, essays, screenplays, and short stories, many of which are highly acclaimed and anthologized. Like his novels, many of Faulkner’s short stories are set in fictional Yoknapatawapha County, a setting inspired by Lafayette County, where Faulkner spent most of his life. His first short story collection, These 13 (1931), includes many of his most frequently anthologized stories, including "A Rose for Emily", "Red Leaves" and "That Evening Sun." HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.
Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 1,0, University of Wuppertal, course: Grundlagenseminar Amerikanische Literatur, language: English, abstract: ”At the heart of the modernist aesthetic lay the conviction that the previously sustaining structures of human life, whether social, political, religious, or artistic, had been either destroyed or shown up as falsehoods or fantasies” (Norton 1814). Thus literary features such as sequence or unity turned out to be only “expressions of a desire for coherence”. This “false order” had to be renovated to express the new interpretation of the world as a broken image. As a consequence, modernist literature abandons former traditional ideals. Instead of the tyranny of chronology, it is the construction out of fragments that now becomes a key formal characteristic. Without showing any linear sequence of events, Faulkner’s narrative technique in ”A Rose for Emily” mirrors exactly this modernistic ideal. By avoiding the chronological order of events, Faulkner gives the reader a puzzle consisting of fragments. Nevertheless, he gives hints that make it possible to put these fragments together and thus reconstruct the chronology of the life of Miss Emily Grierson. In order to find out “what dates are carved on [her] tombstone” (Moore 196) the reader has to become active which is a common attribute in modernist texts. “A chronology of ‘A Rose for Emily’”, as stated by McGlynn, “is useful for at least two reasons: it makes the plot more easily comprehensible, and it helps clarify the function of time in the story”.